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dc.contributor.authorHaryono, Cosmas Gatot
dc.contributor.authorHartanto, Louisa Christine
dc.date.accessioned2025-02-17T08:58:04Z
dc.date.available2025-02-17T08:58:04Z
dc.date.issued2024
dc.identifier.issnISSN:1756-6266E-ISSN:1756-6274
dc.identifier.urihttps://dspace.uc.ac.id/handle/123456789/7951
dc.description.abstractPurpose– This paper aims to explore how Indonesian males who are entrepreneurs in make-up artists navigate their businesses in a society that relies on hegemonic masculinity. This goal is reached by concentrating on male make-up artist entrepreneurs in five Indonesian provinces and investigating how they actively rewrite their gender and inherent vocations by societal norms. Design/methodology/approach– This paper adopts a qualitative phenomenological approach with methods. In-depth interviews and observations were conducted with 28 informants in five provinces of Indonesia. Findings– These findings show that, aside from self-concept, family support is the most crucial determining factor that pushes men make-up artists to become businesses in the face of so many rejections. Persistence in battling for their fate is also critical in efforts to erase themselves, who are constantly subjected to hegemonic masculinity.Asidefromthat,itappearsthatthegovernment’sroleinattemptstopromotegenderequalityinall fields of business in Indonesia remains limited. Originality/value– This paper contributes to the gender and entrepreneurship literature by providing a broader exploration of male entrepreneurs working in the field of female make-up artists in a society that still adheres to hegemonic masculinity.en_US
dc.publisherEmerald Publishing Limiteden_US
dc.subjectPhenomenologyen_US
dc.subjectMale make-up artisten_US
dc.subjectSelf-concepten_US
dc.subjectGenderen_US
dc.subjectHegemonic masculinityen_US
dc.titleDynamics of male makeup artists in Indonesia: navigating entrepreneurship in the middle hegemonic masculinityen_US
dc.typeArticleen_US


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